Mr. Paul Douglas and a cross for whatever reason |
I've said a lot about Salva, whether it was in my deservedly glowing review of his debut album Complex Housing or in my RA Label of the Month feature on the label it was released on, Friends of Friends. But I'll say it again: the former San Francisco scene kingpin (now based in L.A., the goddamned sellout) is one of the most inspiring and multi-talented producers going in a very crowded landscape of experimental California electronic music. Part of is due to heritage: growing up on a diet of as much house as hip-hop, Paul Douglas' music doesn't have the same top-heavy swagger of so many of his Cali contemporaries, but instead a delicate and nimble sense of movement that makes his tumbling snare hits feel graceful instead of sloppy. His own music, especially since Complex Housing, has been a melting pot of styles, whether he's just barely hinting at garage with tracks like "Keys Open Doors," squelchy future funk by way of "Beached" and "Wake Ups," lightfooted house on "I'll Be Your Friend," or a personal favourite, the serrated cotton candy fuzz of "Icey," which I called "the best Joker track never made" and I pretty much stand by that statement. And I'm talking prime Joker there. [Read on after the jump for more babbling praise an exclusive mix]